Come, bitter conduct, come, unsavoury guide!
Thou desperate pilot, now at once run on
The dashing rocks thy sea-sick weary bark!
Here’s to my love!
O true apothecary!
Thy drugs are quick. Thus with a kiss I die
And so Romeo brushed his lips against Juliet’s and died, preferring death to living without her. A very sad end, Mr Shakespeare, one that would not have gone down well with publishers of Romance, as such publishers (and such readers) much prefer a Happily Ever After, an alternative ending in which Romeo sits up and says “Nah, I was just kidding”, except, of course, that it wouldn’t have worked. Plus, the love story with the tragic ending is much more enduring than the one with the pink fluffy clouds.
Such love stories have been around since man first began telling stories – and sometimes, the story wasn’t a story, but rather a real-life drama. Like the tale I’m going to tell you today. I might as well warn you right from the beginning that there is no HEA. Nope. Not my fault, mind you. Instead, you should blame King Afonso IV of Portugal, except that he would tell you he did as he had to do to safeguard his realm. Or so he thought.
But let us start at the beginning, and to do so I think we must start in 1320, when the not-as-yet-king Don Afonso and his wife, Beatriz, welcomed a third son into the world. In difference to his brothers, little Pedro thrived, and Don Afonso could relax. He had an heir—at last.
Don Afonso did not only have sons—he had daughters as well, and the eldest, Maria, was married to Alfonso XI of Castile. An unhappy marriage, especially once Alfonso had clapped eyes on Leonor de Guzmán, thereby more or less abandoning his wife and their little son to spend all his time with Leonor and their children. Obviously, Don Afonso was very upset by all this, and he must have had days when he deeply regretted having given his daughter in marriage to such a cad. (I’m not so sure Alfonso XI was a cad: I think he just fell in love. More about all this and Leonor’s inevitable fate can be found here)
Even worse from Don Afonos’s perspective, Maria’s bridegroom had been married elsewhere when Don Afonso convinced Alfonso XI to wed Maria instead. This was sorted by Alfonso dissolving his first marriage. The jilted (and very young) bride, Constanza Manuel, had a VERY aggravated father, and so for years Don Afonso had been embroiled in a feud with Juan Manuel, Constanza’s father. However, as the years passed, Don Afonso and Juan Manuel found a common enemy in Alfonso XI: Afonso because of how his Maria was being treated, Juan Manuel because of how his Constanza had been treated.
The two fathers struck an alliance, and what better way to celebrate such an event than have Don Afonso’s son, Pedro, wed Constanza? Everyone—including the prospective groom—felt this was a good thing. Well, until Constanza and her entourage arrived in Portugal, that is. Because you see, among Constanza’s ladies was a certain Inés de Castro, and Pedro took one look and was lost, falling irrevocably in love with this beautiful Galician lady.
The marriage went ahead as planned. There must have been some affinity between the newly-weds, and soon enough Constanza was pregnant. But the woman Pedro spent his time with was Inés. It was with Inés he shared his dreams, it was in Inés’ ear he whispered sweet nothings, and poor Constanza was neglected and unhappy, albeit that she gave birth to three babies before she died in 1345, just six years after her marriage.
Don Afonso was anything but delighted with his son’s infatuation. First of all, he detested that his own son was treating his wife as shabbily as dear daughter Maria was being treated by her husband. Secondly, with Inés came her brothers, and Afonso didn’t like it, how Pedro fell under the influence of these Castilians. Thirdly, upon Constanza’s death, he worried that the little legitimate heir, Fernando, was puny and weak. What if Inés was to give Pedro a son, would Pedro prefer his lover’s son to his first-born?
The obvious solution to all this worrying would have been for Don Afonso to acquiesce when Pedro asked for his permission to marry Inés once Constanza was dead. But Don Afonso said no – he didn’t want to aggravate Constanza’s father, he felt Inés was well below Pedro, and he most definitely disliked the de Castro brothers. Instead, he proposed that his son find himself a new, royal bride. Not about to happen, Pedro told him. It was Inés or no one.
In response, Don Afonso supposedly had Inés sequestered in a convent. That didn’t stop Pedro, who spent his days roaming the lands abutting the convent and sending his beloved letters in bark boats that he floated across a river that separated convent land from the rest of the world. Inés managed to escape the convent (or more likely, the nuns just let her go, not quite relishing their role of jailors to the mistress of the future king) and Inés and Pedro set up house together. In secret, of course.
Inés was not welcome at court, and accordingly Pedro was not much at court either, the rift between him and his father widening into a chasm. Even worse from Don Afonso’s point of view, Inés presented Pedro with several healthy children, among which were two little sons. Something had to be done to safeguard Portugal from potential civil war (or so Afonso thought, assuming Pedro would prefer his sons by Inés to his son by Constanza. Turned out Pedro didn’t) Desperate measures were required to put a stop to Inés’ influence over Pedro.
There are two versions as to what to happened that January of 1355 – or rather where it happened. As per the romantic legend, the desperate king and his three accomplices waited until Pedro was out hunting before descending on Inés who sitting by the fountain in her patio. As per other versions, Inés was detained in a convent, and the king and his companions visited her there.
Whatever the case, these visitors did not come bearing gifts. No, they came with steel hidden under their mantels, and their intention was to kill the Castilian whore and thereby free Pedro from whatever emotional bonds he had forged with Inés.
Inés was with her children when the king burst upon them. She prostrated herself before Don Afonso and begged for her life, for the life of their children. Apparently, the king was sufficiently touched to depart, leaving his trusted men to do the dirty job themselves. There was no mercy for Inés. Instead, she was brutally killed in front of her children, the final blow decapitating her.
If Don Afonso had thought this foul act would have Pedro crawling back home, he had seriously misjudged his son (duh!) Pedro was enraged, his grief taking on teeth and claws that he turned upon his father. At the head of a growing band of armed men, he harried Portugal from one end to the other, and the civil war Don Afonso had so wanted to avoid became a reality as a consequence of his own machinations.
In 1357, father and son were reconciled – well, sort of. Pedro never forgave his father for his heinous deed, but a truce was reached. Some months later, Don Afonso died, making Pedro king of Portugal.
His first act was to arrest the men who had killed his beloved Inés (two of them, the third managed to escape) and had them put to death most horrendously. Legend has it that Pedro himself tore their beating hearts out of their chests, saying it was only fair that they should feel what it was like to lose their hearts, seeing as they’d robbed Pedro of his heart by killing Inés. Whether this is true or not is difficult to ascertain at a distance of seven centuries. What is undisputed is that Pedro had the two murderers executed.
Pedro also announced that he had married Inés in secret before she died – contrary to his father’s wishes. There is no surviving proof of such a wedding, not entirely unsurprising seeing as it was a secret wedding, and to this day we only have Pedro’s word for it ever taking place. Don Afonso wasn’t around to object, and so Pedro proclaimed his wife posthumous queen of Portugal. As per the more lurid version of the Inés-Pedro story, Pedro decided to subject his nobles to one final humiliation: he had his beloved Inés disinterred and sat her remains upon a throne after which his nobles had to do homage to the corpse and kiss its hand. Hmm.
Whether the above somewhat macabre anecdote is true or not, Pedro did disinter Inés and had her reburied in state in the Alcobaca monastery. Their tombs stand close together, their effigies facing each other. And as a final gesture to his beloved woman, Pedro had both tombs inscribed with the following: Até o fin do mundo –Until the end of the world.
Let us start as we began, by quoting the words of the Bard, albeit somewhat paraphrased: For never was there a story of more woe, than this of Inés and her Pedro. And in difference to Romeo and Juliet, Inés and Pedro were real persons, people who lived and loved and hoped and dreamed – until that long gone day in January of 1355 when Inés was brutally hacked to death in front of her children. Sad, isn’t it? Which is why I hope that now and then when the church in which they lie is draped in darkness, they whisper to each other.
“Are you there?” he asks.
“Always,” she whispers back.
“Until the end of time,” they say simultaneously, and for an instant the air around their tombs shimmers with golden light.
Love unto death and beyond
Come, bitter conduct, come, unsavoury guide!
8 thoughts on “Love unto death and beyond”
Wow! Love this!
Thank you 🙂
Anna! I remember my dear mum telling me this story years and years ago, she was Portuguese and loved her history. Thanks for reawakening the memory with this very sad love story.
My pleasure. 🙂
What a sad tale of human weakness and lack of understanding – on all sides.
Yes. I dare say Don Afonso had moments of black regret at what he did to his son – and Inés.
Pingback: Isabel of Portugal – or how one portrait inspired +2000 words | ANNA BELFRAGE
Pingback: Isabel of Portugal - or how one portrait inspired +2000 words - Anna Belfrage